Art Commission Agreement Template (Canada)

Updated on August 8, 2026

Canadian commission law has two features that no American or British template carries, and one of them changed in 2012 — which means older Canadian templates get it backwards as well.

The first is that moral rights in Canada may be waived but may not be assigned, and an assignment of copyright does not by itself waive them. The second is that commissioned engravings, photographs and portraits used to belong to the person who commissioned them, and no longer do. This template is written to the current position and replaces a widely copied free commission contract whose licence is marked exclusive with the permitted purposes left as an empty box, which has no cancellation route other than breach, no warranty for the client's reference material, and nothing about AI training.

4 of 34 blanks filled

Tap any highlighted blank in the document below and type straight into it.Free — no sign-up, no watermark

Choose your version

Art Commission Agreement

This Agreement is made on between of (the Artist) and of (the Client).

1. The Artwork

Type of artwork:
Subject matter:
Style and references:
Medium:
Dimensions or format:
Client's intended use:

The Artist will create the artwork personally to the specification above, exercising their own creative judgement within it. A change to the specification takes effect only if both Parties agree it in writing, and may affect the fee and the delivery date.

2. Schedule, Drafts and Approval

Work begins on and the Artist will use reasonable efforts to deliver by . Agreed drafts and milestones: . The Client will give consolidated written feedback within days of receiving a draft, and a draft not responded to within that period is treated as approved. Where the Client's response is late, the delivery date moves by at least the period of delay and the Artist is not in breach for that delay.

3. Revisions

The fee includes of revision consistent with the agreed specification. A request that materially changes the scope, style, subject matter, medium, format or intended use is a new request, priced and scheduled before the Artist carries it out.

4. Fee and Payment

The total fee is . . The Artist's registration number, where applicable, is . A deposit of is payable on signing and is retained once the Artist has begun work. The balance is payable . Invoices are payable within days and interest on overdue amounts is charged at . The Artist may pause work while an invoice is overdue and the delivery date moves accordingly.

5. Delivery

The artwork is delivered by . Packing, shipping and insurance are arranged as follows: . Risk of loss or damage passes to the Client on delivery to the Client or to a carrier nominated by the Client.

6. Copyright

The Artist is the author and first owner of the copyright in the artwork and in all preparatory material. Commissioning and paying for the artwork does not of itself transfer copyright, and the Client acquires only the rights granted below.

OptionalInclude the note on works commissioned before the 2012 repeal

On payment of all sums due, the Artist grants the Client a non-exclusive licence to use the artwork for the following uses and media: , in , for . The Client may not sublicense, assign or transfer the licence without the Artist's written consent, and the Artist remains free to license the artwork to others.

No licence or assignment takes effect until payment has been received in full. Ownership of any physical artwork is separate from copyright: transferring the physical work does not transfer copyright, and a grant of copyright does not transfer the physical work.

7. Moral Rights, Credit and Alteration

The Artist's moral rights include the right to the integrity of the artwork and the right to be associated with it by name or pseudonym or to remain anonymous. Those rights may not be assigned, and an assignment of copyright does not of itself waive them. The Client will credit the Artist as in connection with any public use, publication, exhibition or display of the artwork, in a manner and prominence reasonable for the medium.

The Artist does not waive any moral rights in the artwork. The Client will not distort, mutilate or otherwise modify the artwork, or use it in association with a product, service, cause or institution, in a way that prejudices the Artist's honour or reputation, without the Artist's written consent.

8. Originality and the Client's Reference Material

The Artist warrants that the artwork is their own original work and that, so far as they are aware, it does not infringe the rights of any third party. That warranty does not extend to material supplied by the Client. The Client warrants that it owns or is licensed to use the reference material, briefs, photographs, logos, trade-marks, names and likenesses it provides, that it may allow the Artist to use them for this commission, and will indemnify the Artist against claims arising from that material.

OptionalRestrict use of the artwork for AI training

9. Cancellation

The Client may cancel this commission at any time by written notice. On cancellation the deposit is retained, the Artist is paid for the work properly completed to the date of the notice, and a cancellation fee of is payable. No licence or assignment arises in respect of unfinished work unless the Parties agree one in writing and it is paid for.

If the Artist becomes unable to complete the commission through illness, incapacity or other circumstances outside their reasonable control, they will notify the Client promptly, refund any part of the fee not yet earned and return the Client's reference material. Neither Party is liable for delay caused by events outside their reasonable control, provided prompt notice is given.

10. Portfolio, Liability and General

OptionalArtist may show the work in their portfolio

The Artist may reproduce and display the artwork, and images of its making, in their portfolio, website, social media, exhibitions and award entries, and may state that the Client commissioned it.

Neither Party is liable to the other for loss of profit, loss of revenue or other indirect or consequential loss, and the Artist's total liability is limited to the total fee, except where liability cannot be limited by law. This Agreement is governed by the laws of and the federal laws of Canada applicable there, and the courts of that province or territory have jurisdiction. It may be signed in counterparts and by electronic signature, may be amended only in writing signed by both Parties, and if any provision is unenforceable the remainder continues in effect. The Artist provides the artwork as an independent contractor and this Agreement creates no employment, partnership or agency relationship.

OptionalInclude the Quebec language-of-contract note

Artist

Date:

Client

Date:

The 2012 change to commissioned photographs and portraits

Under the Copyright Act as it stood before the 2012 reforms, the copyright in a commissioned engraving, photograph or portrait belonged to the person who ordered it and paid valuable consideration for it. That provision was repealed, and the author is now the first owner in the ordinary way.

The repeal came with a transitional rule: the old subsection continues to apply to any engraving, photograph or portrait the plate or original of which was commissioned before the provision came into force. So the answer to "who owns this commissioned portrait" depends on when it was commissioned — and a wedding photographer or portrait painter working today owns their own work unless the contract says otherwise.

That is the reverse of the Australian position, where the commissioner still owns copyright in a commissioned portrait or private-purpose photograph. It also means Canadian templates written before 2012, and any imported from Australia, get Canadian ownership exactly wrong. This template states the current rule, notes the transitional position for older works, and then lets the parties allocate rights deliberately.

Moral rights: waivable, but never assignable

The Copyright Act gives the author the right to the integrity of the work and the right to be associated with it by name or pseudonym, or to remain anonymous. It then says something precise that most contracts get loose about: moral rights may not be assigned, but may be waived in whole or in part.

Two consequences follow, and this template builds on both. An assignment of copyright does not by that act alone constitute a waiver of moral rights — so a contract that transfers copyright and stops there leaves the moral rights fully intact, which is often a surprise to the client who thought they had bought everything. And where an author waives moral rights in favour of an owner or a licensee, any person authorised by that owner or licensee to use the work may invoke the waiver, unless the waiver provides otherwise.

So the drafting question is not whether to include a waiver but how wide it should be and whether it should reach downstream users. This template treats the waiver as a deliberate, switched-on choice with its scope written out — including whether it extends to the client's licensees and sublicensees — rather than a boilerplate line. That gives Canada a fourth distinct mechanism: the United States waives by signed writing identifying the work; the United Kingdom requires the paternity right to be asserted and waivers to be in writing; Australia allows no waiver at all, only a written consent; Canada allows a waiver, in whole or in part, but never an assignment.

Cancellation, approvals and the client's references

Most commissions that end badly end with a client changing their mind, not with a breach. This template gives the client an express right to cancel and prices it: the deposit is retained once work has begun, the artist is paid for work properly completed to the cancellation date, and a stated cancellation fee can be added. The mirror case — an artist who cannot continue — is handled with a refund of the unearned fee and the return of the client's material.

Approvals get a deadline instead of a mood. The client has a stated number of days to respond to a draft, an unanswered draft is treated as approved, and the number of included revisions is a number rather than the word reasonable. Delay by the client moves the delivery date rather than putting the artist in breach.

The client also warrants that it may supply its reference material and indemnifies the artist for claims arising from it. An artist's originality warranty protects nobody if the brief itself was infringing, and references are exactly where third-party rights enter a commission.

Taxes, AI and cross-border realities

Canadian commissions carry a sales-tax question that varies by province: GST alone, GST plus provincial sales tax, or a single harmonized rate, depending on where the artist is registered and where the work is supplied. The template requires the tax position to be stated rather than left to the first invoice, and asks for the artist's registration number where they are registered.

It also carries an optional restriction on using the artwork or any process files to train, fine-tune or develop machine-learning systems, or permitting a third party to. It is off by default because it is a term to negotiate, not one to slip past a client — but leaving it unaddressed in 2026 is a choice too.

Two practical Canadian points close the document. Where the client is in Quebec, language-of-contract requirements apply to consumer and adhesion contracts, so confirm what is needed before using an English-only agreement there. And where the artist and client are in different provinces, the governing-law and forum clause matters more than it looks: name the province whose law applies and whose courts have jurisdiction rather than leaving it to be argued.

Clause-by-clause guide

Specification of the artwork
Type, subject, style and references, medium, dimensions or format, and the client's intended use — the intended use drives the licence, so it is a term rather than a note.
Timeline, drafts and approval window
Start and delivery dates, milestones, and a stated number of days for the client to respond to a draft before it is treated as approved.
Revisions
A stated number consistent with the agreed specification, with anything changing scope, style, subject or intended use treated as a new request.
Fee, deposit, taxes and late payment
Total fee, deposit retained once work starts, when the balance is due, the GST, HST or PST position with any registration number, payment days and an interest rate.
Delivery, shipping and risk
For physical work, who packs, who ships, who insures and when risk passes. For digital work, formats, resolution and whether working files are included.
Copyright and grant of rights
Confirms that the author is first owner under the current Act, then grants a non-exclusive licence, an exclusive licence or an assignment, each on payment in full.
Older commissioned works note
Flags that the pre-2012 rule still applies to an engraving, photograph or portrait commissioned before the repeal, which matters for reproducing earlier work.
Moral rights
States that moral rights cannot be assigned, that an assignment of copyright is not by itself a waiver, and scopes any waiver — including whether it reaches the client's licensees.
Attribution and alteration
The credit line as a contract term, and whether the client may adapt the work, framed against the integrity right rather than assumed away.
Reference material and indemnity
The client warrants it may supply the references and covers claims arising from them.
AI and machine learning
Optional restriction on using the artwork or process files to train, fine-tune or develop AI systems, or permitting others to.
Cancellation and kill fee
An express client cancellation right with payment for work done and a stated fee, plus the position if the artist cannot continue.

Canadian legal checklist

Copyright is federal; taxes, language and consumer rules are provincial.

  • Remember that moral rights cannot be assigned

    Moral rights may not be assigned but may be waived in whole or in part, and an assignment of copyright does not by that act alone constitute a waiver. Where an author waives in favour of an owner or licensee, any person authorized by them to use the work may invoke the waiver unless it provides otherwise.

    Copyright Act (Canada), section 14.1
  • Apply the current rule for commissioned photographs and portraits

    The provision giving copyright in a commissioned engraving, photograph or portrait to the person who ordered it was repealed in the 2012 reforms, so the author is now first owner. The old rule continues to apply to works whose plate or original was commissioned before the repeal came into force.

    Copyright Act (Canada) - full text
  • Write out the licence rather than labelling it

    State the permitted uses, the media, the territory, the term, whether the client may sublicense or assign, and whether the artist retains any use. An exclusive licence with a blank scope is the defect in most free commission templates.

  • Decide whether a moral-rights waiver reaches downstream users

    A waiver in favour of a copyright owner or licensee can be invoked by anyone they authorize to use the work unless the waiver says otherwise. If the artist does not want that, the waiver must say so expressly.

  • State the sales tax position for your province

    GST, HST or GST plus provincial sales tax may apply depending on where the artist is registered and where the supply is made. Say which applies, give the registration number where relevant, and issue compliant invoices.

  • Cover the client's reference material

    An originality warranty from the artist protects nobody if the brief was infringing. Have the client confirm it may supply the references and indemnify the artist for claims arising from them.

  • Check language requirements for Quebec clients

    Language-of-contract requirements apply to consumer and adhesion contracts in Quebec. Confirm what is required before using an English-only agreement with a Quebec client.

  • Name the governing province and forum

    Where the artist and client are in different provinces, say which province's law governs and whose courts have jurisdiction, rather than leaving that to be argued after a dispute starts.

How to complete this commission agreement

  1. Specify the artwork. Enter the type, subject, style and references, medium, dimensions or format, and the client's intended use.
  2. Set the schedule and approvals. Give the start and delivery dates, the number of revisions included and the days the client has to respond to a draft.
  3. Set the fee, deposit and tax position. Enter the total fee, deposit, balance terms, payment days, interest rate and whether GST, HST or PST applies.
  4. Choose the grant of rights. Pick a non-exclusive licence, an exclusive licence or an assignment, then write out the uses, media, territory and term.
  5. Decide the moral-rights position, then sign. Set the credit line, decide whether a waiver is given and how far it reaches, switch the AI restriction on or off, then download and sign.

Frequently asked questions

Who owns a commissioned photograph or portrait in Canada?

The photographer or artist, as author, under the current Act. The old rule giving copyright to the person who commissioned an engraving, photograph or portrait was repealed in the 2012 reforms — although it still applies to works whose plate or original was commissioned before the repeal came into force.

Can moral rights be assigned in Canada?

No. They may be waived in whole or in part, but they may not be assigned. That distinction is doing real work: a contract that assigns copyright and says nothing else leaves the moral rights untouched, because an assignment of copyright does not by itself constitute a waiver.

Does a moral-rights waiver cover the client's customers too?

Usually yes, unless the waiver says otherwise. Where an author waives moral rights in favour of an owner or licensee of the copyright, any person authorized by that owner or licensee to use the work may invoke the waiver. If the artist does not want that reach, the waiver has to exclude it expressly.

What is the difference between a licence and an assignment?

A licence is permission to use the work for stated purposes while the artist keeps the copyright. An assignment transfers the copyright itself. This template offers both, plus an exclusive licence in between, and makes each take effect on payment in full — and none of them touches moral rights, which cannot be assigned.

How many revisions should be included?

Whatever you agree, but make it a number rather than the word reasonable. The template ties included revisions to the agreed specification and treats anything that changes scope, style, subject or intended use as a new request with its own fee and timeline.

What happens if the client cancels partway through?

The template treats it as a normal event rather than a breach: the deposit is retained once work has begun, the artist is paid for work properly completed to the date of cancellation, and a stated cancellation fee applies. No rights in unfinished work pass unless the parties agree that separately in writing.

Which sales tax applies to a commission?

It depends on the province and on where the artist is registered — GST alone, GST plus provincial sales tax, or a harmonized rate. The template requires you to state the position and the registration number rather than leaving it to be discovered at the first invoice.

Can I stop the client using my work to train an AI model?

You can address it in the contract, and this template has an optional clause restricting use of the artwork and any process files to train, fine-tune or develop machine-learning systems, or letting a third party do so. It is off by default because it is a term to negotiate.

Related templates

Disclaimer

This template and guide are for general information only and are not legal, tax or copyright advice, and no Canadian lawyer or notary has reviewed them for your commission. Copyright is federal, but tax, language and consumer rules differ by province and territory.